BLACKPINK Rosé’s Grammy History and the Miley Cyrus Dream 

Discover why BLACKPINK Rosé rejected a solo tour despite four historic Grammy Award nominations.

The Architect of Her Own Universe

How much of your soul would you trade for a sold-out stadium tour? For most artists, the answer is “everything.” But for Rosé, the answer is “not yet.”

Fresh off the grueling “DEADLINE” world tour with BLACKPINK, Rosé sat down with Alex Cooper on Call Her Daddy and delivered a shock to the system.

While fans were already checking their bank accounts for solo tour tickets, Rosé was busy hitting the brakes. She isn’t interested in just showing up; she wants to build a world.

The Power of Saying “No” 

Most idols strike while the iron is hot. They capitalize on every trending TikTok sound and every viral moment. Rosé is doing the opposite. With only 12 solo songs in her arsenal, she admitted she doesn’t feel ready to command a stage alone.

“I feel like to create a whole world onstage, I need more time,” she confessed. It’s a gut-punch of honesty in an industry built on smoke and mirrors. She isn’t just a singer; she’s an architect. She refuses to give her fans a “padded” setlist of covers and fillers.

Chasing the Miley Spark 

When asked about her dream collaboration, Rosé didn’t hesitate. She didn’t pick a safe, chart-topping pop peer. She picked a legend. “I see Miley on the screen. I would die to have a collaboration with her,” she said.

This isn’t just fan-girling. A Rosé and Miley Cyrus track would be a seismic event. Imagine the contrast: Rosé’s sharp, emotive vibrato cutting through Miley’s gravelly, rock-and-roll power.

It’s a pairing that suggests Rosé is looking to move away from the polished “Idol” sound and toward something much more raw.

History in the Making: The 68th Grammys 

The industry has finally stopped looking at Rosé as just “a member of a group.” Her four nominations for the upcoming 68th Grammy Awards are proof of her individual weight.

By breaking into the “General Fields”—Record of the Year and Song of the Year for APT.—she has shattered a ceiling that has held back Korean soloists for decades.

• Record of the Year: APT. (with Bruno Mars)
• Song of the Year: APT. (with Bruno Mars)
• Best Pop Duo/Group Performance: APT.
• Secret Weapon: A fourth nomination for Messy from F1: The Album.

This isn’t just about a catchy chorus. These nominations recognize her as a songwriter and a powerhouse vocalist on a global scale.

On February 1, when the lights go up at the Crypto.com Arena in Los Angeles, the conversation won’t be about whether she can survive without her group. It will be about how far she can go alone.

The “Wait” Is the Work 

The most misunderstood part of Rosé’s current journey is the silence. Fans often mistake a lack of touring for a lack of ambition. The truth is that Rosé is protecting her brand. 

By waiting for a second album before hitting the road, she is ensuring that when she finally stands in the spotlight alone, she has enough of her own story to tell.

Key Takeaways for the “Rosie” Era:

• Quality Trumps Speed: She is prioritizing a full discography over a premature tour.
• Global Recognition: Four Grammy nods prove she is a force in the Western market, not just a niche star.
• Sonic Evolution: Her interest in Miley Cyrus indicates a shift toward a more mature, rock-influenced sound.

Rosé is asking her fans for patience. In return, she’s promising a legacy. The 68th Grammys will be the first chapter of this new book.